Matthew Lloyd is from the UK, but lives in Canada. He has a BA in Literae Humaniores (2008), an MStud in Classical Archaeology (2009), and a DPhil in Archaeology (2014), all from the University of Oxford. His focus is on Early Iron Age Greece, particularly burials with weapons and other evidence for warfare. He has a steadily growing bibliography of works focusing on various aspects of Prehistoric and early Greek history, and can be found most summers working at the British School at Athens to study the excavations at Xeropolis-Lefkandi.
Matthew is a contributing editor to Ancient World Magazine.
The pediments of the Temple of Aphaia on Aegina were once said to represent the contrast between Archaic and Classical sculpture in their contrasting depictions of two sackings of Troy. But more recent excavation suggests that the situation is a lot more nuanced than that.
The century following the collapse of the Mycenaean Palaces in Greece is marked by successive destructions, but also revival. The Cycladic Islands of Naxos and Paros offer a compelling case study of these times.
Odysseus’ performs many ill-deeds on his twenty-year journey from Ithaca to Troy and back again. In the modern world, we are often enraptured by the details of his journey, but we can also be deeply ambivalent about the complicated man himself.
In the 1980s, excavations in Paroikia, the capital of the Cycladic island Paros, revealed the mass cremation burial of dozens of young men. It is believed to be the earliest Greek polyandrion, a grave for war dead.