Arsinoe II Philadelphus

The archetype of Hellenistic Queenship

Arsinoe II, daughter of Ptolemy I and an enduring figure of the Lagid dynasty, became the model for succeeding Ptolemaic queens.

Written by Branko van Oppen on

Arsinoe, the eldest daughter of Ptolemy and Berenice, was probably born in the Egyptian capital Memphis somewhere between 318 and 311 BC.Show B.F. van Oppen de Ruiter, “The birth-date of Arsinoe II Philadelphus,” Ancient Society 42 (2012), pp. 61-70; with the addendum in id., “The marriage and divorce of Ptolemy I and Eurydice,” Chronique d’Égypte 90/179 (2015), pp. 147-173. She was named after a Macedonian princess (from a branch of the family descended from Alexander I, r. ca. 498-454 BC), to whom her grandfather Lagus was married.Show B.F. van Oppen de Ruiter, “Lagus and Arsinoe: an exploration of legendary royal bastardy,” Historia 62 (2013), pp. 80-107.

Her father Ptolemy was a childhood friend of Alexander the Great, who was appointed as Egyptian governor (satrap) after the latter’s death in 323 BC. Ptolemy gradually established his power as dynast and – like the other Successors (diadochi) – eventually laid claim to kingship (ca. 305/4 BC). He thus became the founder of the Lagid or Ptolemaic dynasty that ruled from Egypt until the death of Cleopatra VII (30 BC). Her mother Berenice was Ptolemy’s fourth wife and had herself been married before to a Macedonian nobleman named Philip.Show B.F. van Oppen de Ruiter, “The marriage of Ptolemy I and Berenice I,” Ancient Society 41 (2011), pp. 83-92. From that previous marriage, she was the mother of Magas and thus the grandmother of Berenice II.

Nothing is known of Arsinoe’s childhood. After her birth, however, Ptolemy I moved to the recently built palace in Alexandria (ca. 311/10 BC), where Arsinoe and her siblings Philotera and Ptolemy II, must have grown up along with the children of their father’s other wives, Thais, Artacama and Eurydice. (Like Philip II, Alexander the Great and the other Successors, Ptolemy was polygamous.)

Silver tetra-obol with the portrait of the city goddess of Arsinoea on the obverse; the reverse features a bow and quiver – a reference to Artemis of Ephesus (Arsinoea-Ephesus, ca. 294-181 BC; MFA acc. no. 01.5583). If this is Arsinoe herself, this coinage would represent one of the earliest depictions of a deified woman. Photo courtesy of the Museum of Fine Arts, Boston.

Queen in Thrace and Macedon

When she was married to King Lysimachus of Thrace (ca. 300/299 BC), Arsinoe cannot have been more than a teenager, yet soon gave birth to three sons, Ptolemy (299/8), Lysimachus (297/6) and Philip (294/3).Show Justin (Epit. 24.3.5) records the age of Arsinoe’s younger sons as 16 and 13 at the time of their death (ca. 281/0 BC); if the eldest was at least 18 at the time, he must have been born no later than (18 + 280 =) 298 BC. Lysimachus was in his mid-50’s at the time of their wedding. He was a childhood friend of her father and Alexander the Great, and had been appointed governor of Thrace (corresponding roughly to the area east of Macedon and south of the Danube). From there he expanded his dominion into Asia Minor, laid claim to kingship like the other Successors (ca. 305/4 BC), and eventually captured Macedon (287 BC). Like Ptolemy, he was polygamous and was married to an unnamed Persian noblewoman (at the mass marriage ceremony at Susa in 324 BC), as well to Nicaea (ca. 320/19 BC) and Amastris (302 BC).Show B. F. van Oppen de Ruiter, “The Susa marriages: a historiographical note,” Ancient Society 44 (2014), pp. 25-41.

Lysimachus dotted his kingdom with city foundations named after members of his family. Such settlements served economic and military functions, as well as symbolic and ideological purposes. For instance, after his death, Lysimachus was buried in his capital in Thrace, Lysimachaea, at the Lysimachaeum, a temple that still existed some five hundred years later. In other words, he had received a posthumous cult with a temple, an altar, a cult image and a priest in a city he had settled and named after himself.Show Paus. 1.9.8 and 10.5; Strabo 7.52; App. Syr. 64. A city in Bythinia was (re-)named in honour of Nicaea (ca. 300 BC), famous for the later Council of Nicaea. Amastris settled a city in her own name on the Paphlagonian coast (ca. 295-290 BC).

Likewise, the Ionian city of Ephesus – the site of one of the Seven Wonders of the Ancient World, the temple of Artemis – was resettled and renamed Arsinoea in the honor of Arsinoe (ca. 294-289 BC). Regal money was issued featuring the veiled head of the city goddess, whose facial features compare well with later coin portraits of Arsinoe. The reverses of the earlier emissions (ca. 294-281 BC) show bow and quiver, or a stag, symbols of Artemis. It was, however, Lysimachus rather than Arsinoe who received cultic worship as the city’s founding hero during his lifetime – which was revived during the reign of Trajan in AD 104.

On the island of Delos, a decree of uncertain date, perhaps ca. 290-285 BC, praises “King Lysimachus and Arsinoe his Queen” for their assurances of goodwill (eunoia) for the good fortune (agathē tychē) of the people.Show Syll.3 381 = IG XI(4): 542. It is important to note that Arsinoe is publicly honored – and not only mentioned by name but also addressed as basilissa (“royal woman”); none of Lysimachus’ other wives are recorded in surviving inscriptions. The decree may furthermore be a testament of her mediation on behalf of the islanders between her father, who controlled the Delos, and her husband. To further illustrate her public prominence, Arsinoe’s eldest son Ptolemy dedicated a statue of his mother on his father’s behalf at Thebes in Boeotia (ca. 284-281 BC).

The life-size bronze head is attributed to Arsinoe II based on a favorable comparison with her coin portrait (said to be from Egypt, ca. 275-250 BC; MFA acc. no. 96.712). Photo courtesy of the Museum of Fine Arts, Boston.

Shifting fate and fortune

Arsinoe was implicated in one of the more remarkable events of the Age of the Successors, which not only lead to the death of Lysimachus’ eldest son, Agathocles, but ultimately to his own downfall, too.Show The main sources on the Agathocles Affair are: Memn. ap. Phot. Bibl. cod. 224 §9 = FGrH 434 F 5; Paus. 1.10.3; Just. Epit. 17.1.1-5; Porphyr. ap. Euseb. Chron. II: 233 = FGrH 260 F 3. Arsinoe is said to have manipulated Lysimachus to execute his son with Nicaea, because she feared for the lives of her own sons should Agathocles become king after his father’s death.

However, sources also claim that she had fallen in love with Agathocles, but that she had been spurned – like some latter-day Phaedra and Hippolytus. Still, Agathocles was put on trial, found guilty of plotting against his father, and summarily executed (ca. 285 BC). By the time that Lysimachus had become aware of Arsinoe’s machinations, it had been too late. His friends either left him – and sought refuge with Seleucus in Babylon – or ended up murdered in a purge at court.

At the death of Lysimachus, after the Battle of Corupedium (281 BC), near Sardis, Arsinoe was established in the Ionian city named after her. This may indicate that she had represented her husband’s royal power in Asia Minor. She had also gained control over Heraclea after the death of Amastris (ca. 284 BC) and was apparently embroiled in the affairs of Pergamum in Aeolia (western Asia Minor). With the presence of the Seleucid army nearby, the inhabitants of her city opened the gates. Arsinoe was only able to escape alive by means of a ruse. She dressed one of her attendants in her royal robes; while the queen was carried away in the royal litter with a strong guard and managed to slip out of town dressed in rags, her servant was killed by one of Seleucus’ generals.

Arsinoe then ensconced herself at Cassandrea in the Chalcidean peninsula, together with her children and mercenary troops. Meanwhile her half-brother Ptolemy nicknamed Ceraunus (“Thunderbolt”), had murdered Seleucus and proclaimed himself king of Thrace and Macedon – leaving the East to Antiochus, the heir of Seleucus. To legitimize his rule – and avoid a violent conflict with Arsinoe – he then offered to marry her and acknowledge her children as his. (He apparently had no children with other women; marriage between half-siblings, of course, was unheard of before.)

A wedding ceremony was indeed held in the Macedonian capital Pella in the presence of the army; afterwards festivities were celebrated in Cassandrea on a magnificent, well-nigh divine scale. Ceraunus then killed Arsinoe’s two younger sons; only her eldest, Ptolemy, had been able to escape and take refuge in Illyria. Arsinoe herself was forced out of the city and found sanctuary in Samothrace, the island sacred to the Great Gods Cabeiri, where the famous statue of the Winged Victory was later erected.

She remained in Samothrace in exile, hoping to see her son gain his father’s throne. In gratitude for sheltering her, she later had a rotunda built on the temple enclosure that was the largest round structure of its time. Ceraunus soon enough died at the hands of Gauls crossing the Balkans into Greece (279 BC), and in the years of ensuing uncertainty Arsinoe’s son Ptolemy was one of the main contenders to the Macedonian throne in (279-277 BC).

Gold octadrachm (mnaieion) with the veiled portrait of Arsinoe II on the obverse; the reverse illustrates a double cornucopia (dikeras), bound with a royal fillet (diadēma) and overflowing with grapes, pomegranate and pyramidical cakes; the legend names Arsinoe Philadelphus (Alexandria, ca. 253-246 BC; Rauch auction no. 107, lot 169). Photo courtesy of David S. Michaels, Heritage Auctions.

Queenship in Ptolemaic Egypt

Arsinoe eventually returned to Egypt (ca. 277-275 BC) – perhaps with her son Ptolemy in tow. Her brother Ptolemy II had been established by their father as joint-ruler to ensure a smooth succession (in 284 BC) – thereby passing over Ptolemy Ceraunus, his eldest son with his third wife Eurydice. Before the death of Ptolemy I, Ptolemy II had married a daughter of Lysimachus, who was also called Arsinoe.Show B.F. van Oppen de Ruiter, “Notes on Arsinoe I: a study of a shadowy queen,” Chronique d’Égypte 89/177 (2014), pp. 158-181.

Scraps of evidence point to a conspiracy against the king in which this Arsinoe I was involved. She was removed from court and sent to live in royal comfort at Coptus (mod. Qift, Upper Egypt). Whether this conspiracy occurred before the return of Arsinoe II, or implies the latter’s machinations is unclear. Ptolemy II is credited to have instituted temples and cults of Ptolemy I and Berenice I, the “Savior Gods (Theoi Soteres)” – again at an uncertain date (but no later than the mid-270s BC).

The most dramatic, shocking event then took place when Ptolemy II married his full-sister Arsinoe II (ca. 274 BC). Their wedding was likened to the “sacred marriage (hieros gamos)” of Zeus and Hera, as well as that of Isis and Osiris. The queen established an annual festival in honor of Adonis at Alexandria, in which Arsinoe was assimilated to Aphrodite and the king to her beloved Adonis, the only mortal of Greek myth to die and return from the realm of Hades.Show Theocr. Idyl. 15 (Adoniazusae). Moreover, an official cult was created for the “Sibling Gods (Theoi Adelphoi)” (ca. 272 BC).

The Ptolemaic admiral, who had served as first priest of the royal cult of the Theoi Adelphoi at Alexandria, found a cult of Arsinoe at Cape Zephyrium, near Canopus, in which she was assimilated to Aphrodite as guardian of seafarers. Arsinoe received a lifetime cult under the epithet Philadelphos (“Brother-Loving”) (ca. 270 BC), which persisted for generations. Before her death, Arsinoe nominally became temple-sharing goddess (synnaos thea) in every temple in Egypt. Across the Ptolemaic sphere of influence statue were erected in public spaces, temples and priesthoods were established, festivals with processions were celebrated in her honor.

After the sibling-marriage, an Egyptian royal titulature was established for her (274 BC), which was unparalleled in the Pharaonic period – and was not repeated until Cleopatra VII.Show I.Cair. 22181 (Mendes Stela), l. 11; I.Cair. 22183 (Pithom Stela), l. 15. While she was still very much alive, Arsinoe II was thus addressed by such titles as “Mistress, Magnanimous,” “Lady of Loveliness, Sweet in Love,” “Beautiful of Appearance, Who Fills the Palace with Her Beauty,” “Who Has Received the Cobras of the Two Crowns,” “Beloved of the Ram, Who Serves the Ram,” “Royal Sister,” “Great Wife of the King [Ptolemy II], His Beloved,” “Queen of the Two Lands,” “Royal Daughter of the King of the Two Lands, Ptolemy [I], the Goddess Who Loves Her Brother.”

Inscriptions survive that attest to Arsinoe’s continued prominence at the Alexandrian court in internal and external affairs. She accompanied Ptolemy II to inspect the country’s border along the Sinai, visiting important temples on the journey through the Delta – especially at Mendes where the queen was established as high-priestess of the local sacred ram.Show I.Cair. 22181 = Urk. II: 28-54; I.Cair. 22183 = Urk. II: 81-105. At Athens, the democratic assembly honored Ptolemy and his sister (not mentioned by name, as that was considered disgraceful) for supporting the “common freedom of the Greeks” against the growing dominance of the Macedonian king Antigonus II Gonatas.Show Syll.3 434-435 = IG II2 687, ll. 16-18.

Around the same time, the inhabitants of the newly settled colony (polis) of Arsinoe on the Peloponnesian peninsula of Methana dedicated two statues of “King Ptolemy and Arsinoe Philadelphus” to Poseidon on the nearby island of Calauria.Show J. Wallensten and J. Pakkanen, “A new inscribed statue base from the sanctuary of Poseidon at Kalaureia,” Opuscula 2 (2010), pp. 155-165. The significance of such a statue pair lies in the fact that it illustrates that similar sculptures must have been erected throughout the Ptolemaic sphere of influences.

The Gonzaga Cameo (named after Renaissance dukes of Mantua) is a miniature masterpiece of Hellenistic art, attributed to Ptolemy II and Arsinoe II (sardonyx, provenance unknown, ca. 3rd cent. BC or later; SHM inv. no. GR-12.678). Photo courtesy of the State Hermitage Museum, St. Petersburg.

Representation in Hellenistic art

Arsinoe II became one of the most revered queens of the Lagid dynasty, featured on works of art ranging from monumental sculpture and temple relief scenes to miniature coins and engraved gems. Indeed, it is not an exaggeration to state that Arsinoe must have been present everywhere for centuries beyond her death. That prominence alone is a testament of her exemplary role in shaping Hellenistic queenship.

The sibling joint-rule, to be sure, presented Arsinoe II and Ptolemy II as equals. Even though they never had children (and may never have intended to – as Ptolemy II maintained several mistresses), they reigned together as divine sovereigns over the Ptolemaic kingdom and its sphere of influence – stretching from Egypt and the Libyan coast to parts of the Levant and Asia Minor into the Aegean and Black Sea.

A temple relief scene from Tanis (mod. San el-Hagar) that portrays the royal couple facing each other perfectly illustrates their parity. The king stands on what in Egyptian canon is the mortal side of the image, wearing the Double Crown of Egypt (pschent), and holding a waz-scepter in his right hand and brandishing a thunderbolt in his upraised left hand. The latter attribute does not belong to Pharaonic iconography but derives from the imagery of Zeus and Alexander the Great, and represents him as hardly a normal mortal. Ptolemy II is identified by his hieroglyphic cartouches with the throne name “Strong Ka of Ra, Beloved of Amun”.

For her part, Arsinoe II stands on the divine side, identified by her hieroglyphic cartouches as “Who Unites her Heart with the King, Beloved of the Gods”. She holds a papyrus-scepter in one hand and the anch-sign, denoting her immortality, in the other. The queen wears a long sheath dress and collar, a vulture cap over a long wig, and a composite crown that was especially designed for her. It consists of the Red Crown of Lower Egypt (deshret) adorned with two tall feathers (shuty) with level spiraling ram horns surmounted by lyre-shaped cow horns enclosing the sun disc, and an upright cobra (uraeus) in front. The crown of Arsinoe assimilates her with the divine consort of the king and identifies her with Mut-Hathor.

Gold octodrachm (mnaieion) with the draped and diademed jugate busts of Ptolemy I and Berenice I on the obverse as the divine parents of the siblings Ptolemy II and Arsinoe II on the reverse; the legends over the portraits read Theōn (“of the gods”) and Adelphōn (“of the siblings”) respectively (Alexandria, ca. 275-260 BC; Heritage Auction no. 3064, lot 30189). Photo courtesy of David S. Michaels, Heritage Auctions.

Arsinoe’s divinity was also celebrated with cult festivals during which gilded silver or faience wine vases (oenochoae) were used to pour wine. They show the queen in the guise of Agathe Tyche (the personification of good fortune) holding a double cornucopia (dikeras) in one hand and pouring a wine libations a on an altar with the other. The dikeras, incidentally, was a double horn of plenty especially created for Arsinoe II and subsequently appropriated by Cleopatra VII.

On the masterful double portrait of the so-called Gonzaga Cameo, the king’s crested helmet is bound with a laurel wreath and decorated with a winged serpent (uraeus); his bust is draped with a scaly fleece (aegis) decorated with the head of Medusa and Phobos (the personification of fear). The queen’s veiled head is wreathed with an ear of grain, associating her with natural fertility. The royal couple is thus portrayed as Olympian sovereigns.

Two chief types of coins, or rather golden medallions, were issued that feature her portrait. On one Ptolemy I and Berenice I are featured on the obverse and their children Ptolemy II and Arsinoe II on the reverse – expressing the dynastic lineage descending from both side from Lagus and Arsinoe. The other coin type, which became one of the most enduring among Ptolemaic coinage, Arsinoe is portrayed alone on the obverse. Her attributes – veil, crown, lotus-tipped scepter, and ram’s horn around the ear – symbolize her status as divine consort of the king and of Zeus-Ammon – and thus identifies her as Hera-Dione.

Limestone relief from the Chapel of Ptolemy II at Tanis in the Nile Delta representing Ptolemy II facing Arsinoe II (San el-Hagar, ca. 275-250 BC; BM reg. no. 1885,1101.5, inv. no. EA1056). Photo courtesy of the Trustees of the British Museum, London.

Death and Aftermath

Arsinoe II was not yet 50 years old when she died – although, admittedly the date of her death is a matter of some scholarly dispute (270 or 268 BC).Show Cf. M. Minas, “Die Pithom-Stele: Chronologische Bemerkungen zur frühen Ptolemäerzeit,” in Aspekte spätägytischer Kultur, ed. by M. Minas and J. Zeidler (Mainz, 1994), pp. 203-212; B.F. van Oppen de Ruiter, “The death of Arsinoe II Philadelphus: the evidence reconsidered,” Zeitschrift für Papyrologie und Epigraphik 174 (2010), pp. 139-150, arguing for a death-date of 16/17 July 268 BC. The poet Callimachus, who would later compose the Coma Berenices, honored the queen’s earthly passing with a hymn describing her apotheosis as she passes beyond the full moon to her place in the heavens beneath the Big Dipper while the whole population cries lamentations.

Not long after the time of her death, her brother appointed a joint-ruler by the name of Ptolemy “the son” (r. 267-259 BC).Show For this figure, esp. see: Chris Bennett’s online entry. The particular choice of words indicates that the joint-ruler cannot be the later Ptolemy III, but someone who was not the biological son of Ptolemy II. The most obvious candidate must be Arsinoe’s eldest son Ptolemy – meaning that at the end of her life she must have finally succeeded in establishing him as successor to a throne, though not of Macedon or Thrace, but of the Ptolemaic kingdom. Her son eventually had a fall-out with his uncle, and claimed kingship in Telmessus (ca. 258/6-240 BC), a city in Lycia (southwest Anatolia).

Stemma (reduced family tree) of Arsinoe II, the daughter of Ptolemy I and Berenice I, showing her three marriages to Lysimachus, her half-brother Ptolemy Ceraunus, and her full brother Ptolemy II, who was first married to Lysimachus’ daughter Arsinoe I.

As mentioned in relation to Berenice II, ancient authors rarely provide more than basic biographical information about royal women – with the notable exception of Olympias and Cleopatra. The influence at the Alexandrian court of Arsinoe’s mother Berenice was noted – but nothing more. Arsinoe’s prominence at the court of Lysimachus may not have been exceptional among Hellenistic royal women; it may be mere happenstance in the transmission of the evidence that we know more about her than contemporary queens – or perhaps it is due to her subsequent career.

When she did return to Egypt, she came to set a precedent for female sovereignty that would change the position of Hellenistic queenship in Egypt and beyond. Cities were (re-) founded in her honor, she was mentioned by name and title in public decrees, coins portrayed her as a goddess, cults and festivals were founded for her worship, and statues were erected for her, not only in Egypt, but throughout the Ptolemaic sphere of influence. When Cleopatra VII came to the throne over 200 years later, her role model can truly be said to have been Arsinoe II.

The limestone head used as this article’s featured image portrays Arsinoe in an Egyptian style closely related to the Thirtieth Dynasty (ca. 380-343 BC). Memphis, ca. 275-265 BC; MMA acc. no. 38.10. Photo courtesy of the Open Access program of the Metropolitan Museum of Art, New York; CC0 1.0.

Further reading

Suggestions for further reading:

  • Stefano Caneva, From Alexander to the Theoi Adelphoi: Foundation and Legitimation of a Dynasty (2016).
  • Elizabeth D. Carney, Arsinoë of Egypt and Macedon: A Royal Life (2013).
  • Gabriella Longega, Arsinoe II (1968).
  • Grace H. Macurdy, Hellenistic Queens: A Study of Woman-Power in Macedonia, Seleucid Syria, and Ptolemaic Egypt (1932).
  • Maria Nilsson, The Crown of Arsinoë II: The Creation of an Image of Authority (2010).
  • Sarah B. Pomeroy, “The Hellenistic Period: Women in a Cosmopolitan World”, in: Elaine Fantham et al. (eds), Women in the Classical World: Image and Text (1994), pp. 136-182.
  • Sarah B. Pomeroy, Women in Hellenistic Egypt: From Alexander to Cleopatra (1984).

Think we needed to include something else in this list? Let us know.