Articles in this category focus on particular objects, which are examined in close detail and may serve as the jumping off point for further discussion.
A scene on an amphora from Eleusis, near Athens, is the earliest representation of the blinding of Polyphemus by Odysseus and his men.
During the Early Iron Age, the peoples of Central Italy sometimes placed the ashes of the dead in urns modelled after huts or houses.
A beautiful fresco from Pompeii depicts a scene straight from Virgil’s Aeneid: Aeneas being treated for a leg wound.
A large relief pithos (storage jar) from Mykonos features a rare early Greek depiction of the Wooden Horse used to capture Troy.
An unusual coin shows the power of images as Julian the Apostate clashes with the unruly people of Antioch.
A relief in the British Museum offers a good example of Neo-Assyrian ingenuity, with men crossing a river using inflated animal skins.
We take a closer look at a realistic portrait of a Roman Republican couple from ca. 30 BC, identified as Publius Aiedius Amphio and his wife.
The inside from a cup currently in the British Museum depicts Hades and his wife Persephone enjoying a drink together.
Artists of the (early) modern era have helped shape our ideas about what the ancient world looked like. One of them was the Italian painter Giovanni Battista Tiepolo.
The sculptor Pheidias, responsible for the reliefs of the Parthenon in Athens, may have been inspired by the Siphnian Treasury in Delphi.