Articles in this category focus on particular objects, which are examined in close detail and may serve as the jumping off point for further discussion.
Grave stelae can bring us face to face with people from the past. Take, for example, the gravestone of Mnesarete, daughter of Socrates.
The Ara Pacis Augustae is the physical expression of the peace and prosperity brought about by the establishment of the Principate.
One of the most celebrated works of Hellenistic art is without doubt the Nike of Samothrace, on display at the Louvre since 1884.
A large fragment of a marble Roman sarcophagus portrays the deceased as a generally fortunate man who had been happily married.
A Greek, presumably Attic, stand dated to ca. 710 BC and currently in Munich depicts a common theme: two warriors fighting over a corpse.
The Gemma Augustea, a beautiful piece of Roman art, reveals Augustus’ imperial ambitions and was therefore kept out of the public eye.
A closer look at a stele from the fourth century BC, currently in Munich, that marked the grave of Demetrius, who probably died in battle.
A scene on an amphora from Eleusis, near Athens, is the earliest representation of the blinding of Polyphemus by Odysseus and his men.
During the Early Iron Age, the peoples of Central Italy sometimes placed the ashes of the dead in urns modelled after huts or houses.
A beautiful fresco from Pompeii depicts a scene straight from Virgil’s Aeneid: Aeneas being treated for a leg wound.