Two depictions of the sack of Troy in Greek art give us different perspectives on how the ancient Greeks used the myth of the Trojan War.
The entanglement of Graeco-Roman and Indian Buddhist culture is well reflected in Gandharan art dating to the early centuries of our era.
The Gemma Augustea, a beautiful piece of Roman art, reveals Augustus’ imperial ambitions and was therefore kept out of the public eye.
A lavishly produced television series that manages to make the story of the Trojan War utterly dull to watch. A waste of potential.
A closer look at a stele from the fourth century BC, currently in Munich, that marked the grave of Demetrius, who probably died in battle.
Odysseus’ performs many ill-deeds on his twenty-year journey from Ithaca to Troy and back again. In the modern world, we are often enraptured by the details of his journey, but we can also be deeply ambivalent about the complicated man himself.
A scene on an amphora from Eleusis, near Athens, is the earliest representation of the blinding of Polyphemus by Odysseus and his men.
While modern audiences tend to be sympathetic towards the trickster hero Odysseus, a closer look reveals him to be a terrible person.
Different types of government use different language. A short treaty from Athens provides an example of this from the ancient world.
The suicide of the hero Ajax, the result of a dispute over the ownership of Achilles’ armour, was a popular motif in Archaic Greek art.