The ancient Romans organized games, the venationes, in which wild animals were often an integral component. But where did the Romans find these animals, and how did they get them to Rome?

After some preparation, we are extremely happy to announce the launch of Bad Ancient, a new website dedicated to fact-checking claims about the ancient world.

Joshua Hall, Matthew Lloyd, and Josho Brouwers sit down to talk about sculptures in the ancient Greek world. In this first part, we deal with sculpture from the pre-Classical periods.

The century following the collapse of the Mycenaean Palaces in Greece is marked by successive destructions, but also revival. The Cycladic Islands of Naxos and Paros offer a compelling case study of these times.

In a shrine at Ayia Irini, a site on the island of Kea (ancient Keos), excavators have found a large number of clay sculptures that date back to the Late Bronze Age.

A great stone monument dated to the Archaic period (ca. 600 BC), the Lion of Kea is an impressive early Greek monument. But it is almost entirely ignored in the history of Greek art.

Did the hilly terrain of Italy force the Romans to abandon the hoplite phalanx? Did they even use the phalanx to begin with? In this article, we suggest “no” to both of those questions.

The regular team consisting of Joshua Hall, Matthew Lloyd, and Josho Brouwers talk about sanctuaries and other sacred places in ancient Greece.

Rome fought many wars in its rise to Mediterranean dominance. One of the most important has been neglected in modern scholarship, in part because we have few sources for it. But Patrick Alan Kent has written a new book about the war with Pyrrhus.

We don’t often editorialize, but an opinion piece written by science-fiction author Isaac Asimov back in 1980 – in which he tackled the false notion that “my ignorance is just as good as your knowledge” – is again eerily relevant today.