As is our custom every year, we’re taking a break for a few weeks to relax without the pressure of writing for the website. We’ll be back on the 10th of August!

An interesting look at archaeological research that focuses on all aspects of the production process, from the procurement of raw materials to the use of finished products.

A fragmentary fresco from Pylos has been reconstructed as depicting a warrior with a round shield with armband and grip. A closer look reveals that this fresco most likely depicts something else.

When it comes to the history of warfare in the Late Bronze Age Aegean, an important find is the bronze panoply recovered by Swedish archaeologists from a tomb at Dendra in 1960.

This book, based on a workshop on fortifications and sieges, features a collection of papers that deal with siegecraft among the ancient Assyrians, Egyptians, Greeks, and Romans.

If it’s okay for modern protestors to topple statues commemorating dubious historical figures, some argue, why shouldn’t we wipe the monuments of ancient slave-owning societies like the Romans from the face of the Earth?

During the Early Iron Age, people dwelled among the ruins of the palace at Knossos in what we may refer to as a “landscape of memory”, one imbued with the collective memories of a bygone era.

The ongoing protests against racism have seen protestors deface and destroy statues celebrating dubious historical figures. UK Prime Minister Boris Johnson has argued that “we need to tackle the substance of the problems, not the symbols.” But this underestimates the significance of material culture.

People studying the first half of antiquity, with free cities and omens and cuneiform, don’t always pay attention to the very end, with kingdoms and Christians and clumsy Latin. But the people studying the end of antiquity have some exciting stories to tell, and they face some of the same problems as people studying Early Greece.

The pediments of the Temple of Aphaia on Aegina were once said to represent the contrast between Archaic and Classical sculpture in their contrasting depictions of two sackings of Troy. But more recent excavation suggests that the situation is a lot more nuanced than that.