This page lists all of the articles that have been published on this website in reverse chronological order, so with the newest material listed first.
During the Early Iron Age, people dwelled among the ruins of the palace at Knossos in what we may refer to as a “landscape of memory”, one imbued with the collective memories of a bygone era.
The ongoing protests against racism have seen protestors deface and destroy statues celebrating dubious historical figures. UK Prime Minister Boris Johnson has argued that “we need to tackle the substance of the problems, not the symbols.” But this underestimates the significance of material culture.
People studying the first half of antiquity, with free cities and omens and cuneiform, don’t always pay attention to the very end, with kingdoms and Christians and clumsy Latin. But the people studying the end of antiquity have some exciting stories to tell, and they face some of the same problems as people studying Early Greece.
The pediments of the Temple of Aphaia on Aegina were once said to represent the contrast between Archaic and Classical sculpture in their contrasting depictions of two sackings of Troy. But more recent excavation suggests that the situation is a lot more nuanced than that.
The ancient Romans organized games, the venationes, in which wild animals were often an integral component. But where did the Romans find these animals, and how did they get them to Rome?
After some preparation, we are extremely happy to announce the launch of Bad Ancient, a new website dedicated to fact-checking claims about the ancient world.
The century following the collapse of the Mycenaean Palaces in Greece is marked by successive destructions, but also revival. The Cycladic Islands of Naxos and Paros offer a compelling case study of these times.
In a shrine at Ayia Irini, a site on the island of Kea (ancient Keos), excavators have found a large number of clay sculptures that date back to the Late Bronze Age.
A great stone monument dated to the Archaic period (ca. 600 BC), the Lion of Kea is an impressive early Greek monument. But it is almost entirely ignored in the history of Greek art.
Did the hilly terrain of Italy force the Romans to abandon the hoplite phalanx? Did they even use the phalanx to begin with? In this article, we suggest “no” to both of those questions.