The Chieftain Cup, currently in the archaeological museum of Iraklion, depicts a scene on one side that features a commanding figure, probably a leader of some sort.
From the Minoan administrative centre of Agia Triada comes a black steatite vase depicting what appears to be a procession or processional dance connected to either a sowing or harvesting festival.
From Agia Triada comes a remarkable limestone sacrophagus with figurative scenes that may shed light on the nature of Bronze Age religion.
An Attic red-figure vase of the early fourth century BC depicts the death of Talos, the bronze guardian of the island of Crete.
One of the most curious finds from the Minoan palace at Phaistos is a small, clay disc featuring a stamped text on both sides.
We take a closer look at the bull-leaping fresco from Knossos (now in Iraklion), one of many depictions of ancient Minoan bull-sports.
When he excavated Knossos, Arthur Evans happened across artefacts that he believed were stylized horns of a sacred bull. Was he correct?
A life-size statue in Naples is described as “Fortuna-Isis restored as the younger Faustina in the clothes of Ceres.” What does that mean?
Ancient heroes and divinities, like Heracles, are recognizable by their physical appearance and, especially, their attributes.
In classical architecture, we recognize five orders: Tuscan, Doric, Ionic, Corinthian, and composite. What is this classification based on?