With headlines again filled with stories of immigrant abuse and immigration in the United States, it is worth taking a look back at one of the most famous “foreigners” from the ancient world: Odysseus.
Poetic fragments attributed to Archilochus of Paros show him to have been a warrior. But was he also, as is often suggested, a mercenary?
One of the most celebrated works of Hellenistic art is without doubt the Nike of Samothrace, on display at the Louvre since 1884.
The entanglement of Graeco-Roman and Indian Buddhist culture is well reflected in Gandharan art dating to the early centuries of our era.
While modern audiences tend to be sympathetic towards the trickster hero Odysseus, a closer look reveals him to be a terrible person.
The suicide of the hero Ajax, the result of a dispute over the ownership of Achilles’ armour, was a popular motif in Archaic Greek art.
In ancient Greece, serious crimes were punishable by death. What forms did the death penalty take in Classical Athens?
In this article, we explore two important concepts of the warrior ethos that was at the heart of ancient Greek culture.
Conventional wisdom regards nudity in Greek art as a “heroizing” element. But the reality is, of course, a bit more complex.
The sculptor Pheidias, responsible for the reliefs of the Parthenon in Athens, may have been inspired by the Siphnian Treasury in Delphi.