Scholarship has tended to downplay the promiscuity of Etruscan women as described by Greek sources. But with evolving modern sexual sensibilities, perhaps a different approach is required.
A reference to the Salii as “jumping priests of Mars” leads me to wonder: who were these Roman priests and why did they jump?
An unusual coin shows the power of images as Julian the Apostate clashes with the unruly people of Antioch.
We take a closer look at a realistic portrait of a Roman Republican couple from ca. 30 BC, identified as Publius Aiedius Amphio and his wife.
Seneca, a proponent of Roman Stoicism, calmly committed suicide when ordered to do so by Emperor Nero.
Ursula K. Le Guin (1929-2018) was inspired by a myriad of different world cultures. In her twentieth novel, Lavinia, she took as inspiration Virgil’s epic poem the Aeneid.
The Roman statue known as the “Augustus of Prima Porta” is a remarkably powerful piece of Early Imperial “propaganda”.
We have not one, but two eye-witnesses to the AD 79 eruption of Vesuvius: Pliny the Younger and his uncle, Pliny the Elder.
Located in the Forum Romanum, the triumphal arch of Emperor Constantine is, like the ruler himself, a mixture of the old and the new.
With the death of Commodus in AD 192, a new family, the Severans, came to rule the Roman Empire. One of them was Caracalla. Looking at his portraits, one has to ask: why the angry face?