Matthew Lloyd is from the UK, but lives in Canada. He has a BA in Literae Humaniores (2008), an MStud in Classical Archaeology (2009), and a DPhil in Archaeology (2014), all from the University of Oxford. His focus is on Early Iron Age Greece, particularly burials with weapons and other evidence for warfare. He has a steadily growing bibliography of works focusing on various aspects of Prehistoric and early Greek history, and can be found most summers working at the British School at Athens to study the excavations at Xeropolis-Lefkandi.
Matthew is a contributing editor to Ancient World Magazine.
After the collapse of the Mycenaean palaces in ca. 1200 BC, there is little evidence for destruction on this scale until the late eighth century.
From the eleventh to the ninth centuries BC there is very little pictorial pottery in the Aegean. So why does a hydria from a grave at Lefkandi show a pair of confronted archers?
Tim Whitmarsh’s book challenges the modernist notion that atheism is a post-Enlightenment phenomenon and traces the ancient history of those who “battled the gods”.
Two depictions of the sack of Troy in Greek art give us different perspectives on how the ancient Greeks used the myth of the Trojan War.
Odysseus’ performs many ill-deeds on his twenty-year journey from Ithaca to Troy and back again. In the modern world, we are often enraptured by the details of his journey, but we can also be deeply ambivalent about the complicated man himself.
The eighth century BC was a time of great change in the Early Iron Age Aegean. One of these changes is exemplified by the reorganization of settlements on the Cycladic island of Andros.
In the 1980s, excavations in Paroikia, the capital of the Cycladic island Paros, revealed the mass cremation burial of dozens of young men. It is believed to be the earliest Greek polyandrion, a grave for war dead.
Sitcom Red Dwarf turns thirty this year. While it hasn’t always been the most highbrow of entertainment, it contains a number of jokes and references to ancient history – particularly the Trojan War.
Miller’s debut novel, which won the Orange Prize for Fiction in 2012, teases out the subtext in Achilles and Patroclus’ relationship to craft a compelling love story.
Ursula K. Le Guin (1929-2018) was inspired by a myriad of different world cultures. In her twentieth novel, Lavinia, she took as inspiration Virgil’s epic poem the Aeneid.