In this article, we explore two important concepts of the warrior ethos that was at the heart of ancient Greek culture.
Some material in a doctoral thesis never makes the final cut, but can instead be turned into articles. An example is a peer-reviewed article that I wrote about romantic love in the Homeric epics.
Artists of the (early) modern era have helped shape our ideas about what the ancient world looked like. One of them was the Italian painter Giovanni Battista Tiepolo.
Roel Konijnendijk, Matthew Lloyd, and Josho Brouwers talk about the sword-and-sandal film Troy (2004), directed by Wolfgang Petersen.
Miller’s debut novel, which won the Orange Prize for Fiction in 2012, teases out the subtext in Achilles and Patroclus’ relationship to craft a compelling love story.
The Trojan hero Aeneas, made famous by Virgil’s epic poem, has been the subject of ancient texts and art going as far back as Homer.
Ursula K. Le Guin (1929-2018) was inspired by a myriad of different world cultures. In her twentieth novel, Lavinia, she took as inspiration Virgil’s epic poem the Aeneid.
The sculptor Pheidias, responsible for the reliefs of the Parthenon in Athens, may have been inspired by the Siphnian Treasury in Delphi.
The story of the Argive youths Cleobis and Biton gives an idea of how different the ancient Greek world view was from our own.
We have not one, but two eye-witnesses to the AD 79 eruption of Vesuvius: Pliny the Younger and his uncle, Pliny the Elder.